16 877 безкоштовних аудіофайлів для "Midi Files Of Musical Intervals"

G7alt chord.

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Augmented triad on D.

Half-diminished seventh chord on C

Viennese trichord as dominant. Created by Hyacinth (talk) 21:31, 4 July 2010 using Sibelius 5.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Tritone substitution and altered chord as, "nearly identical". Chords: C7, F♯7, and C7 +9 +5: Root 3rd 5th 7th 9th 11th 13th C

Diminished triad on B, as MIDI

A minor pentatonic scale in Pythagorean tuning. MIDI pitch bend matches intervals.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C♮ to C♯ between the second and third chords. Note that there is no common chord.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

F natural minor scale ascending and descending.

F melodic minor scale ascending and descending.

G natural minor scale ascending and descending.

D harmonic minor scale ascending and descending.

D natural minor scale ascending and descending.

F harmonic minor scale ascending and descending.

G harmonic minor scale ascending and descending.

D melodic minor scale ascending and descending.

G melodic minor scale ascending and descending.

Non-Pythagorean scale on C.

Primary and secondary melody in the opening of Bach's BWV 1079.

*Septimal diesis on C = D♭ (Ben Johnston's notation). 49:48 = 35.7 cents. Limit: 7-limit. MIDI pitch bend: 54,75

*Undecimal seconds comma on C = Cb↑↑- (Ben Johnston's notation). Just: 121/120 = 14.37 cents. Limit: 11-limit. MIDI pitch bend: 76,68

*Septimal semicomma on C = D (Ben Johnston's notation). 126/125 = 13.79 cents. Limit: 7-limit. MIDI pitch bend: 53,68

Misheberak scale on D. Created by Hyacinth (talk) 07:50, 18 April 2011 (UTC) using Sibelius 5. See: :Image:Misheberak scale on D.png

Aeolian mode on C. No pitch bend.

Aeolian mode on A. No pitch bend.

*Diaschisma on C = D--. 2048:2025 = 19.5 cents. Limit: 5-limit. MIDI pitch bend: 33,70

Diatonic major scale in 12 tone equal temperament

Elektra chord: E B Db F Ab.

Euler-Fokker genus on C. 1/1, 9/8, 21/16, 3/2, 7/4, 63/32. C, D, F+, G, B♭, C+.

Farben chord.

Tout d'abord un la pur. Se rajoute un autre la, un comma pythagoricien au-dessus. On entend des battements.

An A major scale in Music.

Diminished seventh chord's use in modulation.

Diatonic scale on C.

A harmonic minor scale ascending and descending. No pitch bend.

A melodic minor scale ascending and descending.

A natural minor scale ascending and descending.

Neapolitan major scale on C - As MIDI

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

Minor seventh chord on d (ii7) in C. Created by Hyacinth (talk) 07:23, 14 August 2011 (UTC) using Sibelius 5.

An arpeggio.

Leading-tone seventh chord in C minor.

Supertonic diminished seventh chord in C (D♯=E♭).

Dominant seventh on F in third inversion. Created by Hyacinth (talk) using Sibelius 5. See: File:Dominant seventh on F in third inversion.png

Half-diminished seventh chord on supertonic in C minor.

Minor seventh chord on e iii7 in C.